Friday, December 11, 2015

Star Wars Countdown VI: Return of the Jedi

This is it, the final installment of the Star Wars Countdown before the continuation. After watching it this time again, I can still say that it is my favorite Star Wars movie. In fact, it was my favorite movie of all until Avengers 2 came around. With Return of the Jedi, this classic film trilogy closes with a timeless grand finale.

When 900 years old you reach, look this good, you will not.

Notable John Williams music debut: "The Emperor’s Theme"

When Return of the Jedi opens with a view of a second death star, one might at first be concerned that it is going to be a copy of Episode IV. However, it quickly asserts its individuality when it picks up both event-wise and character-wise where the film before it left off. Between rescuing Han Solo from Jabba the Hutt, Luke struggling to come to grips with his heritage, and the emperor’s master plan to turn Luke to the dark side and crush the rebellion once and for all, Jedi takes the story to a whole new level.

For the first and only time in Star Wars, we see a full-scale battle play out beginning to end, strategy included. The rebel fleet attempts to take the second death star by surprise, while a team secretly lands on the moon it’s in orbit around to shut off the shield generator. But the emperor has foreseen this, through the dark side of the force. Unfortunately for the rebels . . .



Speaking of this battle, I have an emotional connection to the forest moon of Endor. It seems like a very simple, peaceful place (usually), and reminds me of the wooded countryside where I grew up. Endor also has the charming and mysterious ewoks, who live their village up in the branches of the trees. Some people find them annoying, but I don’t see why.



But the true reason I love Return of the Jedi is the final confrontation between Luke, Vader, and the emperor. After Luke has gone through the inner struggles, trials, and temptations of the dark side, he must muster not only his courage, but his resolve and belief in who he is, and not fall to the pull of the swift undertow of the dark side. Not only does he have to face his fallen father, but also the man who twisted Luke’s father around his finger, the one responsible for all of the trouble in the galaxy. But if Luke were to strike him out of anger, Luke would become the very thing both he and the entire galaxy fear and hate.

Return of the Jedi is a dramatic conclusion for an epic series, and if Star Wars had stopped there, I would have been satisfied. But now Episode VII is only a few days away, and I am absolutely ready for more!

Star Wars Countdown:
Return of the Jedi

Friday, November 27, 2015

Star Wars Countdown V: The Empire Strikes Back

Like its predecessor, A New Hope, Star Wars V brought many new icons to the sci-fi hall of fame. From snowspeeders to giant walking armored tanks to the little green man with super powers, The Empire Strikes back successfully captured the magic of the first film and more.














Notable John Williams music debut: "The Imperial March" (this track may be more iconic to the franchise than the main theme)

Since we’ve already done a Countdown entry on sci-fi icons, let’s focus this time on something unique to Empire: how good its story is.

For the entire movie, Han, Leia, Chewbacca, and C-3PO are on the run from the Empire, starting at the ice planet Hoth, taking them through a swarm of asteroids, to Cloud City on the gas giant Bespin. Darth Vader himself devotes an astonishing number of resources to catch one rickety YT-1300.

Meanwhile, Luke had left the rebel fleet after escaping Hoth to pursue his own personal path, which led him to Dagobah, where he meets Yoda, the ancient Jedi guru. As Luke’s Force-sensitivity increases, he sees a vision of his friends in trouble, and rushes to help, even though his training is not complete. But this was Darth Vader’s plan all along.

And then this happens.

That is more or less the crux of the story. The rest is pretty much Luke recovering from the shock of that moment. But there’s no question that the story was pulled of exceptionally well.

We get to see how bad Vader is, and it’s not just because he’s in a scary suit. He changes the terms of his deal with Cloud City after Lando fulfills his end of the bargain, and he kills his commanders for not catching one enemy ship.

Darth Vader must run through admirals like Edward Elric runs through prosthetic arms.

Oh, and there’s also this guy, who became an instant fan-favorite:


The Empire Strikes Back is many a fan’s favorite, though for me it takes second place to the final chapter of the original trilogy, which we’ll tackle next time.

Star Wars Countdown:
The Empire Strikes Back

Friday, October 9, 2015

The Poet's Gift


We are a people of symbols. We are wired to recognize patterns and make associations. It is the cornerstone of human learning. From our earliest days, before we can even crawl on our hands and knees, we make connections between the light patterns, air vibrations, and other things that our senses deliver to us. As we grow, the picture these things paint in our minds is edited, with details being filled in and sections being painted over or cut out to form a more coherent whole.

Our symbol-recognizing nature has one effect that is particularly interesting to storytelling: it makes possible the use of metaphor. Through symbolism, we associate all kinds of things: sounds, colors, ideas, emotions, and more. Many of the things we associate seem to have nothing to do with each other, yet somehow most people make the same symbolic connections. This gives us the groundwork to write unimaginably rich stories, immersing the readers in a precisely crafted experience through all of their senses.

We use symbolism to teach each other
different ways of thinking and feeling about the world.
        The Garden of Eden with the Fall of Man
        –Jan Brueghel the Elder and Pieter Paul Rubens

Consider the following two statements:

By feeling and understanding these connections, we can smith our words into sights, smells, and emotions to bring to our readers.

By feeling and understanding these connections, we can forge our words into sights, smells, and emotions to bring to our readers.

Interchanging “smith” and “forge” makes the two sentences feel different. The first speaks of the sounds of metal clanging against metal, of making words into tools to do things. If done well, the result is something to take pride in. The second sentence speaks of heat and creation, letting the words fall together to become a fine work, perhaps with some special value. If done well, the result is something to be deeply satisfied with. It is a subtle difference, but a difference nonetheless, and such a choice of symbols can be the defining feature of a chapter, an act, or an entire story.

Symbolism is the soul of art. It is how the artist can touch our thoughts, whispering things into our subconscious minds. This gift of the poet is the key to the barrier between writer and reader, letting them commune at a level we may have thought impossible with mere words.

Friday, October 2, 2015

Star Wars Countdown IV: A New Hope

Not long ago in this very galaxy . . .

(Opening Fanfare)

It is a time of shaky peace on the planet Earth. Several deluded terrorist groups have attempted to sow fear among the first world citizens, with some success. In addition, the looming global threat of climate change threatens to drive thousands of species to extinction and make life miserable for human beings several generations down the line.

In the interest of securing a bright future for the planet, the Alliance of United Nations prepares for its 70th General Assembly, where the representatives of its countries will try to find peaceful and responsible solutions.

Meanwhile, in a small apartment near a Midwestern university, a young blogger excitedly anticipates the upcoming new Star Wars movie. In celebration of this film, he has decided to watch one of the previous movies and write a brief discussion of it each month leading up to the grand release of Episode VII. Now, he has come to Episode IV: A New Hope, where it all began....

Notable John Williams music debut (besides the opening fanfare): “Binary Sunset

This is the one that started the grand fantasy. When the boy in the desert followed the old hermit on an adventure to the stars, the hearts of millions were captured around the world in a storm that has lasted for generations. It landed science fiction a solid foothold in film, and lit the first spark of science fiction’s passion in my soul. Star Wars brought forth many iconic staples of nerd culture that have only grown stronger with the time that has passed.


Right from the get-go we were treated with the lovable droid duo C-3PO and R2-D2. 3PO’s insisting on proper behavior, based on his protocol programming, clashes brilliantly with R2’s mechanical “get the job done” directive.


Not five minutes later, a half-man, half-machine walks onto the scene in a black life support suit, with a mask that speaks of a life devoted to power and intimidation. He is Darth Vader, the trans-universal symbol of evil.

That's no moon.    
It's a space station.

The terror of the Empire, the death star was the ultimate weapon. Powerful enough to destroy planets, it was the perfect tool of fear to keep anyone who might question the supreme dominance of the Empire in line.

Next up, we’re given the lightsaber, the weapon of the Jedi Knights. Like a sword, but with lasery-like-ness for the blade. Everyone who saw the movie as a kid has dreamed of owning one and dueling some grim-masked bad guy.

And there is the Force itself. Though confined in this movie to the idea of a mystical energy, the Force may be the number one memorable aspect of all of Star Wars. A source of energy and power, with a light side and a dark side, the Force guides events in the galaxy and can be used to obtain superhuman powers.


Of memorable and iconic things in Star Wars Episode IV, many more, there are. If I were to write about each one this post would far too long. Here are a few more of them in one big Force-saturated montage.


It is hardly imaginable that one single movie could bring up so many things that have so thoroughly permeated the culture. Star Wars Episode IV has spawned not only five other movies with three more on the way, but hundreds of novels, comics, and video games spanning tens of thousands of years in the galaxy’s timeline. Heck, “Jedi” is even an official religious affiliation in real life. It is unfortunate that the Legends—that is, all of the media besides the movies and cartoons—have been de-canonized, but they still remain as a testament to the timeless legacy of A New Hope.

Star Wars Countdown:
A New Hope

Friday, September 18, 2015

Science Fiction Can Make You Smarter

It is no secret that many people find scientific concepts hard to understand. If you say “alternate reality” or “wormhole” or “gravitational time dilation,” they will shake their heads and throw up their hands because those concepts are entirely alien to them. On the other hand, science fiction fans can easily pick up on these ideas because they have seen some kind of representation of them in science fiction.

Take the Stargate SG-1 episode, A Matter of Time, where the stargate connects to a planet falling into a black hole, and the black hole’s gravity comes through the gate to earth. The details of what happens in the episode aren’t physically accurate, but it used the general idea of time dilation such that someone could spend hours outside the base while only a few minutes would pass inside. Now suppose I was explaining to someone who had seen A Matter of Time how our GPS satellites need clocks that run a tiny bit slower than the clocks on earth, because time passes a little bit slower on the surface of the earth than in orbit. The other person can ask, “like in Stargate?” to which I’d reply with a nod and a grin, “like in Stargate.”

Unfortunately, the fiction does not always get it right. In fact, most of the time popular science fiction gets something so utterly, fundamentally wrong that it is obvious that the writers did little to no research, nor did they consult an expert. One of the most common examples of this is using the word “dimension” to mean another universe of some kind. But a dimension is a direction, not a place. We do not live in a dimension, but in four: up-down, left-right, fore-back, and past-future. If we want to get to another universe, we might travel through another dimension or two—just like I travel through the fore-back and left-right dimensions to go between my home and school—but not to another dimension.

The counter to problems like this is to keep in mind that fiction is by definition not real. If one wants to know the actual theories of reality, one must look to science fact. To my great satisfaction, there are many scientifically knowledgeable people who counter sci-fi’s many mistakes by discussing the actual science behind the concepts. These discussions can be found in books like The Physics of Star Trek and Physics of the Impossible, and documentaries like BBC’s The Science of Doctor Who and Stargate SG-1: True Science. There is also a growing unification of geekdom and science on youtube, including channels like SciShow Space and PBS Space Time. These people have recognized that science fiction can be used as a learning gateway for science, and are taking advantage of the fact.

I chose to pursue a career in astrophysics because of science fiction. I have little trouble understanding concepts like relativistic time dilation, the various multiverse hypotheses, quantum tunneling, higher dimensions, and so many more. I believe this is in part due to how much science fiction I have seen and read, and the examples of these and similar concepts described and shown in these stories. There is a common conception that nerds are smart, and I, for one, believe it is no accident.

Friday, September 11, 2015

Those Not Like Us

Post-Note: This discussion was intended to delve into how intelligent life could be very different from us as human beings. Instead, its focus drifted to social commentary. The updated version can be found here.

Photograph by Bill Curtsinger, National Geographic
Prejudice.

It has been a constant black mark on the record of humanity. Always present, from the moment self-awareness emerged in us and brought us to a new state of life above the animals. It comes in every form imaginable, an unnatural hatred for those from enemy tribes, those who worship different gods, those with different skin tone, or body shape, or sexual organs, or gender identity, or body markings, or clothing choice; those who don’t look like we do, or talk like we do, or think like we do, or believe what we do.

Prejudice: Fear and judgment of those we do not understand, of Those Not Like Us.

We are fortunate to live in a time and place where learning is praised, and when we look to history to avoid the mistakes of the past. More and more we value education, the information needed to understand and accept others increasingly available for people to find. Countless stories have been written addressing the wrongness of prejudice, exposing it as the ugly demon beast it is. Little by little, moment by agonizingly slow moment, prejudice is lessening its strangle-hold on humanity. But there is one more group of Those Not Like Us, one which could be vastly more different from us than any two groups of humans have ever been. One group that could revitalize the black flame of hatred as hot and consuming as ever: aliens.

Yet it is not fair to call aliens one group. The word “alien” originally meant another human from a far-off land. As more of the world became known, the people who fell under the label of “alien” became fewer and fewer. Eventually, advances in biology confirmed that humans are more similar than different, and “alien” was redefined to mean someone not from Earth. Now it is almost certain that intelligent life beyond Earth is mind-bogglingly vaster and more varied than humanity, so why on earth would we lump the entirety of the intelligent universe except ourselves into one group? Though the precise definition of the word has changed over time, its meaning has not; “alien” is a label for Those Not Like Us.

Common across humanity, there are physical traits, emotions, and ways of dealing with things. We take these things for granted, because although they vary from person to person, culture to culture, they share many key aspects. But intelligent aliens, having evolved completely independently from us or anything else on earth, might feel entirely different emotions, think entirely different kinds of thoughts, and view the world in entirely different ways. Music, which brings us amazing emotional connection and expression, might sound like garbage noise to them. They might not be able to make sense of TV and computer screens, which take advantage of our eyes’ ability to mix colors. They almost certainly will not be able to recognize or interpret human facial expressions. Aliens may have completely different senses and communication methods, such as light or magnetic field patterns. Because of the mind-boggling variability of DNA, as well as the possibility of other means of genetic coding like RNA or PNA, there is unimaginable potential for what life could be like. The possibilities of difference are, simply put, astounding.

Heck, we may, in doing something that we always do without thinking, offend aliens we meet. For example, if there is a race that communicates by pheromones, we humans could be unwittingly and uncontrollably giving them the equivalent of the middle finger just by our body odors.

Rose: "What's the emergency?"
Doctor: "It's mauve. The universally recognised colour for danger."
Rose: "What happened to red?"
Doctor: "That's just humans. By everyone else's standards, red's camp.
           Oh, the misunderstandings. All those red alerts, all that dancing.
Or imagine it the other way around; imagine creatures with appendages shaped like swastikas, or defining marks shaped like pentagrams. Considering humanity’s fear of the unknown and tendency to make associations, in such a case the masses would be crying out for blood, seeing these creatures as hordes of evil. Take, for example, Young-Earth Creationist Ken Ham, who claims that intelligent aliens don’t exist. His argument goes roughly as follows:

Premise: If intelligent aliens exist, they have no chance for salvation through Jesus Christ.
Conclusion: Therefore, intelligent aliens don’t exist.

You can read his actual words and response to criticism here.

Post-Note: I realize I have been unfair to Ken Ham and a large number of people who follow his influence. Previously, there was a paragraph here targeting Ken Ham and his followers, claiming that they are primed for alien racism. There is a big difference between believing someone will go to Hell and wanting them to go to Hell. From what I have seen of Ken Ham, he is a polite, decent man who honestly wishes the best for people. If he were to meet an alien face to face, I expect he would be as cordial as he is toward anyone. I am generally against editing what I have said in previous posts, but this was inappropriate. My intent was not to attack anyone, but to caution that humanity is not ready to meet people from another planet.

     "God bless the cactuses!"                          "That's 'cacti.'"                                 "That's racist."
This is where the speculative power of fiction comes into play. Fiction introduces new ideas to its characters, who interpret and react to these ideas in similar ways to how real people would. Consider Ender’s game (spoilers), by Orson Scott Card. The main character is born into a world reeling from an invasion by an insectoid race. The creatures, which humanity pejoratively calls the Buggers, swooped down to Earth and killed hundreds of thousands of humans. The entirety of human civilization from that moment on was focused on taking revenge and wiping out the Buggers before they returned to destroy the rest of humanity. In the end, however, it is revealed that the Buggers’ invasion was a misunderstanding. Bugger colonies are one organism with a collective consciousness centered at its queen. Killing a few bugger drones is as harmless to the creature as cutting a human’s hair, or clipping one’s fingernails. The Bugger queen who invaded Earth thought that humans were the same as she, and so killing a few would be no big deal. She had no intention of starting a war; she only wanted to make contact.
End spoilers.

In all likelihood, our first contact with aliens will be much less catastrophic than the Buggers’ attack. Still, it is inevitable that some subset of humanity will succumb to fear and cry out for blood, hoping that the creatures will be eradicated and forgotten so that we can go back to the old days of wondering if we are alone in the universe. Others will judge our newfound neighbors in different ways, and to varying degrees. We cannot change the fact that this will happen, but we can soften the shock by preparing now to receive our first discovery of alien brothers, sisters, and whatever else they may be, with a spirit of curiosity and forgiveness. Indeed, history and fiction already are full of contact scenarios to learn from and improve upon. We have the tools we need. If we ready ourselves now to seek understanding above all else, we may avoid the larger conflict later on, allowing us to freely share our knowledge with each other and move on together to a new level of civilization that neither of us could have achieved alone. Let us learn from our past and put aside our fear of the unknown, so that when we discover new life and new civilizations, we may with open arms welcome Those Not Like Us.

Friday, August 28, 2015

Star Wars Countdown III: Revenge of the Sith

As the summer heat wavers and the first signs of autumn cool peek through the rustling maple leaves like a memory just out of reach in a moment of nostalgia, I am reminded of the ever-evolving passage of time, and the ultimate inevitable approach of Star Wars Episode VII. This month, in the countdown series, we will be looking at Episode III: Revenge of the Sith.

I have waited a long time for this moment, my little green friend.
Notable John Williams music debut: “Battle of Heroes

Revenge of the Sith suffers from many of the same problems as the other prequels. However, being the final in the prequel trilogy, there was opportunity for George Lucas to learn from the mistake of its predecessors, and it does appear that he paid some heed to the outcry of the disappointed fans. In my opinion, the action was more engaging than in the previous two films, perhaps because in this one it was more directly related to the plot. The fan service did not seem as forced; I could have done without Chewbacca showing up, but I did like the Yoda versus Palpatine fight scene.

If you blinked, you missed it. Possibly the most underdramatized scene in the whole series.

On the upside, the movie fulfilled its main purpose, showing Anakin’s transformation to Vader surprisingly well. Though it may be a lucky coincidence, the lack of emotion or spiritual vibe actually play well at getting the viewers into Anakin’s head. Anakin can’t feel the spirituality of the Jedi, and neither can we. If we did not already know the Sith were evil from the original trilogy, this might lead us to wonder with him if the Jedi have, in fact, been corrupted by the war. At least, we might wonder right up until Anakin becomes Vader and starts slaughtering children. Then it’s obvious that he’s just bat crazy.

The biggest blunder of Revenge of the Sith, I would say, is the Obi-Wan versus Darth Vader battle. It was one of the key turning points of the series, the father-and-son-like battle for the fate of the galaxy. But to me it felt anticlimactic—all flash, no emotion. There was no buildup, no climax, just two guys whaling on each other on the side of a volcano until suddenly it was just over.

“I have brought peace, freedom, justice and security to my new
Empire.” Seriously, what got that crazy idea into your head?
This is unmistakably Palpatine’s empire, and he’s sure as the
planet you’re standing on not going to give it up.

However, even this flop of a climax can be seen as an artistic fluke if viewed from the right perspective. Consider what we would hope to see in such an ultimate fight sequence: both the good guy and bad fighting hard with their emotions, sparring and twisting them around each other like they do their lightsabers. In actuality, on the other hand, we see Obi-Wan try again and again to get the emotions into the battle, only to have them roll off Vader as if he did not even notice. Not only is Obi-Wan’s world crashing to the ground and taking the galaxy with it, but not even the epic battle is going how epic battles are supposed to. Hm? No, I guess it’s not a good enough excuse; it’s still lame.

There is one more thing I want to mention. The first thing Anakin does after becoming Vader is to ask Palpatine to teach him the dark side power to save Padmé from dying. In response, Palpatine says, “To cheat death is a power only one has achieved.” Now in context he seems to be talking about Darth Plagueis, the Sith from the story he told Anakin in the Galaxies Opera House. But Palpatine is both a Sith and a politician, a master of manipulation, an expert in speaking true words while implying a lie. Nothing he says can be taken at face value. With that in mind, I have a hunch that maybe, just maybe, the Sith in the trailer for Episode VII could be this one who achieved the power to cheat death.


And of course, here is a link to Michael Barryte's “What if Star Wars Episode III Were Good” video. I like his versions so much, that I have adopted them as my head canon.